“In Live Oak, in the 50’s everybody knew their role” – Dr. Tammy Evans, Author, The Silencing of Ruby McCollum
February 9th, 2015: Originating in Georgia’s Okeefenoke National Wildlife Refuge and coursing 235 miles due south, the majestic Suwannee River with its meandering limestone banks flows unabated through the state of Florida down to the Gulf of Mexico. And every now and then this fabled river in song gives up old secrets from years gone by that sometimes impacts the local community. The town of Live Oak in Suwannee County Florida harboured even darker secrets many thought long since forgotten. Like sands through the hourglass the quaint and tranquil facade of Suwannee County was forever changed when four shots rang out on August 3rd, 1952.
The painful troubling story of Ruby McCollum occurred during a very defining period in the history of the civil rights movement and the context in which this unfolded conjured both fear and silence down tobacco road. Black men living in Florida in the 1950s segregated Jim Crow south had the greatest chance of getting lynched here than any other place in the nation. The Klu Klux Klan between 1920s – 1950s had a strangle hold on the state of Florida where esteemed judges, doctors and lawyers by day became cross-burning Klansmen under the cover of night. Stark newsreel footage of Klan marches together with graphic eye watering stills depicting the easy with which white faces posed amongst this hanging strange fruit served as effective visual cues of the day. Anyone trying to convince themselves that lynching like this is a relic of a bygone era . . . think again. One only need look at the 2011 neo lynching in Texas of James Byrd to reminds us that the Klan is alive and killing.
Knowing the social order of the day was literally a matter of life or death. Seldom were the words privileged and black rarely if ever found consorting during the heart of the movement. And yet somehow Ruby, this well-heeled, Fessenden educated mother of two and wife of successful businessman Sam McCollum rose above her station in life to become the wealthiest African American woman in White Oak. With such a bright future, what would compel Ruby to murder Clifford LeRoy Adams the town’s most distinguished doctor over of all things a medical bill? “You Belong to Me: Sex, Race and Murder on the Suwannee River” is the tragic story of power, murder, kickbacks and the conspiracy of silence that percolated just beneath the surface of this gentile community.
Director John Cork frames an engrossingly dark journey with a nod to History Channel details. Live Oak was not without its cadre of small town politics and family influence which Cork painstakingly parallels through the rise of Clifford and Sam careers; the success of which was ultimately predicated on escalating levels of corruption. Woven in between these competing narratives was the increasingly desperate life of Ruby McCollum. Redwood in stature, Dr. Adams ancestral pedigree was heavily marked with family scions but as Dr. Don Noble tells it, “everything that Doc Adams did from the time he was first going to Pharmacy School and then to Medical School – he cheated everybody, he lied to everybody. He got into medical school on false pretences. He just lied to everybody.” These assertions of deceit and sway were reinforced by entering into evidence Exhibit A: THE UNITED STATES OF AMERICA vs. DR. C. LeROY ADAMS indictment. This 1949 Federal Grand Jury indictment was but a mere inconvenience for which Adams still beat the rap emboldening him further. This latest win paved the way for a 1951 state senate seat run which he won in 52. Think the teflon abilities of John Gotti before John Gotti even existed.
With an era so indelibly defined by Jim Crow, the depiction of an upwardly mobile black family building their fortune on something other than stepp’n and fetch’n would be anachronistic if it wasn’t true. Sam McCollum with his brother Buck started out in the Life Insurance business and before long added juke box ownership to the mix. But if Sam could tell it, he built his real fortune in the rackets and the best racket going was Bolita, a form of underground lottery. While Clifford and Sam were empire building both in friendship and business, a predatory unseemly union with its origins firmly rooted in slavery began to form. The premeditated grooming of Ruby McCollum by Dr. Adams under the guise of medical treatment created a non-consensual relationship built on compliance and an imbalance of power. A black women’s right to deny this advance never even factored into the equation. This long held practice was just one more indignity black women endured under Jim Crow. Without fear of punishment or persecution within the community, it was an unwritten law that if a white man wanted to go with a black man’s wife, he could do so. And therein lies the crisis which was never to be discussed in polite company.
VERDICT 4.0 / 5.0 You Belong to Me: Sex, Race and Murder on the Suwannee River is as much about unbridled power in all its incarnations as it is about the scourge of mental illness through subjugation. Producer Jude Hagin thirteen year odyssey in bringing the complicated life of Ruby McCollum to the big screen prevails. Heavily researched, this homage to a life and era long since forgotten is a character study reinforced by personal narratives tied to Ruby that captured a shameful chapter in black history. Cork never pivoting nor does he shy away from the darker side of the human condition. By holding a steady hand to the facts as they were presented we eventually reap the distasteful harvest of nighttime integration when all was revealed as the landmark trial plays out. Solid re-enactment sequences were comfortably stitched together with Composer Geoff Gallegos’s foreboding if not dour-like string passages which only ratcheted up the tension as we are left to ponder the myriad of injustices.
FINAL THOUGHT: Even a black woman’s social status is no protection against Jim Crow.
Country: USA
Year: 2014
Language: English
Director: John Cork
Writer: John Cork
Producer(s): Hilary Saltzman, Jude Hagin
Executive Producer: Kitty Potapow
Editor: Brad Grossman
Producer for Cloverland: Lisa van Eyssen
Original Score: Geoff Gallegos
Research: Bruce Scivally
Website: http://www.youbelongtome.net
PREMIERE: CANADIAN PREMIERE
Runtime: 88 minutes
Cast: Gleene Harrell, Tameka Bradley Hobbs, Eric Musgrove, Edna R. Hindson. Tammy Evans, Whitfield Jenkins, John Walter Yulee Sr., Alton K Williams Jr., Eileen Sims, Garth R. Nobles, Clifford LeRoy Adams, Alonzo Philmore Sr., Ruth Thompson-Miller, Paul Ortiz, Samuel Beasley, Lois Brown Miller, William Shuman, Clemon Jackson Jr., Carlton Jackson, Scott Deitche, Ben green, Brad Rogers, Danielle McGuire, Lou Jarrett, Kenneth Nunn, Dan Noble, Frankie Knabb, Josie C. Doty, Brenda Au e, Sam McCollum Jr., Anita Davenport, Denise Durette, Reggie Brooks, George Jacobsen, John Sherman, Zee Wilson, Michael Morris, William Nowell, Joe Lauck, Shanessa Sweeney, Gavin Hawk, Tamara McMillan, Daniel Link, Thomas W. Thompson, Reeko Brooks.
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Jude Hagin says
John,
I have just today seen your review of YOU BELONG TO ME and wanted to thank you for your comments and your obvious attention to detail of our film, YOU BELONG TO ME. It is an important and historic story and my partners and I along with our director, John Cork, felt in imperative to get it right. We had a responsibility to everyone involved and to history. Ruby can rest in peace now…